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Eve Fowler
Eve Fowler
Eve Fowler
Eve Fowler
Eve Fowler
Eve Fowler
Eve Fowler
Eve Fowler
Eve Fowler
Mats Bakken
Mats Bakken
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Leon Levinstein
Leon Levinstein
Leon Levinstein
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Sebastian Meyer
Ronald D. Corbin
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Karen C
Karen C
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Philip-Lorca diCorcia
Philip-Lorca diCorcia
Philip-Lorca diCorcia
Philip-Lorca diCorcia
Philip-Lorca diCorcia
Philip-Lorca diCorcia
Philip-Lorca diCorcia
Philip-Lorca diCorcia
Philip-Lorca diCorcia
Philip-Lorca diCorcia
Philip-Lorca diCorcia
Philip-Lorca diCorcia
Philip-Lorca diCorcia
Unknown
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Larry Clark
Larry Clark
Larry Clark
Larry Clark
Larry Clark
Unknown
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Unknown
Ohm Phanphiroj
Ohm Phanphiroj
Ohm Phanphiroj
Ohm Phanphiroj
Ohm Phanphiroj
Ohm Phanphiroj
Ohm Phanphiroj
Ohm Phanphiroj
Ohm Phanphiroj
Ohm Phanphiroj
Ohm Phanphiroj
Ohm Phanphiroj
Ohm Phanphiroj
Ohm Phanphiroj
Ohm Phanphiroj
Ohm Phanphiroj
*
p.s. Hey. ** Jamie McMorrow, Good morning, if it's morning, Jamie. Thanks about the post, Interesting -- that large scale dioramas might be a North American thing. I never thought about that before, but I think you're right. I can't remember seeing such things here in Europe at least, or not as a non-flukey seeming thing. How curious. That video you linked to is super enticing. As always, I'll have to wait until I'm out of here to watch. Thank you heavily! It's totally easy to do the copy and paste thing re: links, no problem. Your family lunch was cheering? Whoa. No, I know people who really dig their families, so I know it's not as impossible seeming as it seems to me who doesn't. Did you get that call? How ... did it go? Today ... work catching up mostly, I think. See a friend for some length of time later on. Probably not too momentous, but you never know. What did Tuesday hold out to you and what, among those 'whats', did it deliver? Love, me. ** Dóra Grőber, Hi! Oh, so there's the street hustler post up there. Basically, it's every photo of a street hustler I could find online that seemed interesting in one way or another. A quiet birthday, as it seems you had, is kind of often the best one, I think. So, cool. My book progresses slowly at the moment, but that's a natural and necessary slowness. It'll pick up. It's good. Gosh, I like dioramas enough in general that I don't know if I have a favorite. Let me look again. No, I think I like them all. It's weird. My day was work-y, but it was good. How was your first full day of being one year older? ** David Ehrenstein, Glad you enjoyed it! Well, yeah, so far NYC isn't looking too good for a screening. I'm honestly surprised too. I mean, it's quite a good film, if I don't say so myself, and it would pretty definitely draw a crowd, so ... ? ** James, Hi. No forgiveness necessary, bud. I'll check out the Vila-Matas/Calle book, for sure. Yeah, see, I thought 'Exquisite Pain' was awful, so I'm just not a fan, and there you go. I would guess Patric's new film might get a very limited release in the States. His first film 'Domaine' did. Otherwise, I'm sure it'll end up streaming for $ somewhere. I popped in here yesterday and saw your question about Harry Crews. I did a post on his stuff but way, way long ago, and he's definitely due. So, I'm doing a post on him, thanks to your suggestion. It'll be about 'A Childhood: The Biography of a Place' because that's the only book of his that has enough excerpts online to allow me to make a proper post. Yeah, I've read a few of his books, and I think he's very good. ** Steevee, Hi. I think that question would probably need to phrased very carefully, yes. Look forward to reading your piece. Everyone, here's Steevee writing about the Film Society of Lincoln Center's "Art of the Real" series. Please read it and learn stuff pleasurably. ** Sypha, Hi, James. Thanks. Happy to hear that you're gearing up for the Mauve Zone Recordings anniversary. Sounds like you have suitably festive plans in that regard. Wow, 'Destroyer' magazine. That takes me back. I'd forgotten all about that. Sure, use an escort photo. Although, if he finds out, and if you're charging for the record, you might get hit up for some licensing money. ** _Black_Acrylic, Hi. Me too. At that 'Apocalypse' show at the Royal Academy of Art way, way back. If that was the same 'Hell' you're talking about. There are a few of them, I think? ** Flit, Hey! I can imagine that thinking about your current self in a historical way would very interesting. Maybe I do that already in some inarticulable place in my head because that idea seems familiar. Huh. Can I have doughnut anyway? I really want one. Good doughnuts are very few and far between over here, which is one Paris's few flaws. ** Misanthrope, Thank you. Oh, I challenged your preconceptions? That's, like, manna. Cool. Oh course Undertaker won. What happened to him retiring? God, I hope he doesn't stick around until his fights are so fake-looking that it induces deep viewer depression. ** Bear, Hi, Bear! Welcome to here, and I'm very pleased that the blog is adding something to your days. When I was teenager, I had a really close friend whose nickname was Bear. He didn't look anything like a bear. He was skinny and blond. I never could figure out how he got that nickname. Oh, sorry for the tangent. The only reason that little diorama wasn't credited was because where I found it, there was no credit. I'm very happy to discover its source, thank you. You met him? Cool. Everyone, should you like to know the identity of the artist who made that cool little diorama in a case yesterday and see more of his work, Bear kindly sends you to the artist's site. His name is Talwst, and his site is here. Thanks a lot! It's pleasure to meet you. Please don't hesitate to reenter and hang out here and talk with me and/or everyone as much as you would like. Who are you? What do you do or like to do? ** MANCY, Hey! Yanagi's stuff is pretty amazing, yeah, right? And I was also fascinated by the Schmitt ones, and I'm totally with you on the title 'Glitched.' So much so that I almost didn't put it in the post, ha ha. ** Bill, Hi. Thanks, pal. Oh, wow, no, I don't know Charles Matton's work. That looks amazing! Huh. I'll go explore his work post-haste. Thanks a lot, Bill. Yay, SF Cinematheque! They've been so incredibly great to work with setting up the 'LCTG' screening. Really fantastic people. ** H, Hi! Welcome back again! Thank you about the video interview. I'm very glad you're feeling more sorted & knowing more clearly where you are with your work. I think NYC is so imposing that it's naturally a weird process moving into the forefront. Never been to Cambridge. It sounds nice. As does the combo of falafel and Thai noodles. Yum. I'm going to try that. Thank you, thank you, and take very good care of your good self. ** Raymond, Hi, Raymond. My Monday wasn't bad. Yeah, it's very exciting about the Fujiko Nakaya retrospective. It'll be her first grand recognition in Europe, and it's long overdue. There's actually a small, and I think permanent (?), newer piece by her in Bristol. 'Fog Bridge'. Thanks much for the link to the Snap Judgement episode. I'm excited to watch that. Ah, yes 'writing' as opposed to 'literature', yes. I think when you wrote 'literature', I just jumped through the logo and into the core automatically or something. Nice: re: Carpenter's 'The Thing'. Totally, huh. And of course I adore the Blanchot quote relationship. Blanchot is my man. Interesting about it not feeling more dangerous. Yeah, I get that. It's dangerous to de-priotize danger, I think. I'm always disappointed when I realize I've done that. Anyway, incredible thoughts, man. I'm very grateful. ** Okay. Today's thing is a thing where I searched for every image of a street hustler online that I could find and then winnowed them down to only ones that had something of note in some way about them. And then I filled up my galleria with the picks. Simple as pie. See you tomorrow.