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Robert Bresson The Devil, Probably
Robert Bresson Lancelot du Lac
Robert Bresson Four Nights of a Dreamer
Robert Bresson A Man Escaped
Robert Bresson Mouchette
Alain Resnais Providence
Orson Welles The Magnificent Ambersons
Ryan Trecartin A Family Finds Entertainment
Bela Tarr Werckmeister Harmonies
Terrence Malick Tree of Life
Terrence Malick The Thin Red Line
Terrence Malick Days of Heaven
Bruce Conner A Movie
Aldo Tambellini Black Zero
Olivier Assayas Irma Vep
Lindsay Anderson If …
James Benning 11 x 17
James Benning Landscape Suicide
Paul McCarthy Family Tyranny: Modeling and Molding
Hollis Frampton Magellan: At the Gates of Death, Part 1: The Red Gate
Chantal Akerman Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles
Eric Rohmer The Green Ray
Eric Rohmer Pauline at the Beach
Yasujiro Ozu Late Spring
Yasujiro Ozu The Flavor of Green Tea over Rice
Gaspar Noe Enter the Void
Gaspar Noe Irreversible
Sergei Parajanov The Color of Pomegranates
Maya Deren Ritual in Transfigured Time
Kenneth Anger The Inauguration of the Pleasure Dome
Andy Warhol Chelsea Girls
Andy Warhol Lonesome Cowboys
Alain Robbe-Grillet Successive Slidings of Pleasure
Jacques Tati Playtime
Jacques Tati Mon Oncle
Christophe Honore Dans Paris
Agnes Varda Vagabond
Mel Brooks Young Frankenstein
John Woo The Killer
John Waters Serial Mom
John Waters Female Trouble
Pierre Clementi Film ou Visa de censure numero X
Alexander Kluge The Artist in the Circus Dome: Clueless
Alexander Kluge Anita G.
Harmony Korine Julian Donkey-Boy
Werner Herzog Stroszek
Werner Herzog The Great Ecstasy of Woodcarver Steiner
Jean Luc Godard Pierrot le Fou
Jean Luc Godard Numero Deux
David Lynch Inland Empire
Errol Morris Fast, Cheap, and Out of Control
Bernardo Bertolucci Luna
Wes Anderson Moonrise Kingdom
Wes Anderson The Life Aquatic
Stan Brakhage Prelude: Dog Star Man
Rainier Werner Fassbinder In a Year of Thirteen Moons
Straub-Huillet History Lessons
Luchino Visconti Death in Venice
Jacques Rivette Duelle
Leos Carax Pola X
Leos Carax Holy Motors
Jon Jost Last Chance for a Slow Dance
Stanley Kubrick A Clockwork Orange
Wong Kar Wai Fallen Angels
Philippe Grandieux Un Lac
Jean Daniel Cadinot Aime … comme minet
Rolf Hammerschmidt The Fucking Class
Robert Altman McCabe & Mrs. Miller
Robert Altman Three Women
Peter Greenaway A Zed and Two Noughts
John Huston The Dead
Chris Marker Sans Soleil
Stephen Prina Vinyl II
Jack Smith Normal Love
Coen Brothers Fargo
Mike Leigh Naked
Federico Fellini Satyricon
Derek Jarman Last of England
Ingmar Bergman Hour of the Wolf
Michelangelo Antonioni Blow-Up
Frederick Weissman High School
Jeff Keen Omozap 2
Charles Atlas Hail the New Puritan
*
p.s. Hey. If you feel like similarly milking the top of your head for some of your favorite films and typing them out, that would be cool. Starting tomorrow and lasting through Friday, I'll be involved in the shooting of Zac's and my film from early morning to late at night. There'll be no p.s.es apart from a brief, pre-programmed hi and intro-type thing, and you'll see reruns. On Saturday, the blog will give out a new post again, and I'll catch up with the accumulated comments then. Thanks! ** MyNeighbourJohnTurtorro, Hi, man! Great to see you! Well, yes, I've been film film film and little else, but I'm good, and it's going well. Oh, funny to read your suggestion on a 'mine for yours' day. Albums of the decade so far? Yeah, I can try that. Huh. Okay, give me a little bit 'cos I won't have any brain space or blog attention until next week. And I def. want to see your list. That's a big motivating factor. Yes, I do remember the Elias interview, and I've really regretted not getting questions to you. The film project has just eaten me up, and the task was strangely or not strangely intimidating. But I've had some questions whorling around in my head for a while, so, yeah, if you're still game to do it and if you can give me a little more time, I'll get some questions together. It would be so amazing. Thank you for that, for, you know, it all. ** Jose Osoria, Hi, Jose! Yes, I got the invite. Thank you so incredibly much! I've just been swamped by the film project, but I'll try to take advantage and get membered-up on the site today. Really, thank you a ton! That's very exciting! I hope you're doing great! ** David Ehrenstein, Hi. Well, certainly not in the word, no. Sometimes what it refers to gets lucky and actually has an edge, even a sharp one, but no credit goes to the assigned adjective. ** Sypha, Hi, James. I saw that Cut Hands had a new album due, but not that Best's project does too. I'll score them both of course. Thank you! ** Thomas Moronic, Hi, T. Wow, right, school is starting again. Time's weird. Obviously happy that you get the happiness of reconnecting with your young chums. ** Keaton, Hey! Thanks man about film finishing. We need the luck on this last scene, which is a complicated and intimidating thing. I'm gonna get to read your story in the next short bit of pre-rehearsal time, I'm greatly anticipating that, natch. Halloween's coming, isn't it, at long fucking last! I'll be in NYC, I think, watching 'Kindertotenlieder' be performed on that hallowed day, which isn't my ideal Halloween action, but at least it's appropriate. Rock the fuck on! ** _Black_Acrylic, Oh, shit, but cool that you'll get an easy replacement. Re: your ballot, obviously. Excited about Thursday! Happy that your parents' sense of humor is on the up side! ** Kier, Hi, K. Yes, it will be Gisele's first music video. It's for this kind of fast-rising young French electronic dance DJ star guy whose name completely escapes me at the moment. Then, right after that, she has a top secret second music video assignment that's going be mind boggling, and I'll spread news when the secretive phase is over. I think the first music video is supposed to go public next month. I love how beets look, and I like them a lot in theory, but I hate eating beets, yuck. Weird. They're like the liver of the vegetable world to me. The sheep/ewe sounds like a total horror movie-style superstar. Yeah, '2001', see, I forgot to put that on my list up there. My first boo-boo. My day was enclosed within the rehearsals. Well, considering how clueless and slightly spooked we were going into them, they went really well, and we're calmer if not calm. We really need much more time to prepare this scene/shoot than we have. It's complex and chaotic and full of uncertainty. We're counting on a lot of luck. But the four performers were all very good, and they've given us enough confidence to proceed without having some last minute freak-out and canceling the shoot or something. Today will be more of that, and we'll meet with whatever number of extras who've been gathered for us to play the 'crowd' in the gig/concert scene, and we're fearing how few of then will have been scored -- not much confidence in the person assigned to do that for us -- and fearing what we'll do if we don't have enough of them. So, yeah, as you can probably tell, I'm quite stressed, but I guess by the next time I see you here live and in person, the deed will have been done, and keep your fingers crossed for us, if you can do that easily within the context of all of your farming. How was your Tuesday, and, well, the rest of your week? ** Steevee, Howdy. ** Bill, Hi! It was great! Thank you so much again! ** Misanthrope, Hi, G. Right, you had as three-day weekend over there, didn't you? It was time passing as usual over here, technically. If Panchitos is a secret think porn ring then I think our loyalty must have gotten us a golden ticket by now. Only one way to find out. ** Okay. I gotta run off now. Films, yeah, I already intro'd that as much as an intro is needed, I suppose. I wish you all luck and happiness and all that good stuff between now and Saturday, but only if you wish me the same, 'cos I'm gonna need it. The blog will see you tomorrow. I will see you on Saturday. Bon chance!